For our team, everything starts with the goal of accurately and confidently capturing the best possible cinematic image. We strive to uphold the creative intent of the director and cinematographer, ensuring that what they see on set is a perfect match to what they will see in dailies and eventually in post. From HDR to ACES, our team can adapt to whichever colour pipeline best suits your project.
LUT CREATION
We offer Cinematographers the option of working with our colourists in pre-production to create bespoke show LUT's, ensuring that everyone sees the footage the way they intend it.
AT HOME DAILIES
We have calibrated OLED TV's that can be set up anywhere and linked to our dailies servers. Directors or DoP's can review colour-accurate dailies right in their home or office!
SATISFY STREAMING SPECS
Our workflows surpass the technical requirements of all major streaming platforms.
OLED MONITORING
We only use the highest quality Sony and Boland OLED monitors for colour-critical work. All of our monitors are calibrated at Park Road Post before every shoot for peak performance.​
ACES WORKFLOW OPTIONS
An ACES workflow can future-proof your colour decisions and ensure consistency between footage regardless of acquisition technology or final display method.
ON-SET OR NEAR-SET
Depending on the needs of the production, our technicians can either work side-by-side with the DoP or remotely when the on-set footprint needs to be kept to a minimum.
